A White (House) Christmas: Decorating Tips from the First Family
EVENT DESIGN
You think you ve got it bad doing the interior d cor for your holiday event the White House has a dozen rooms that it needs to decorate each Christmas, all of which will be toured by tens of thousands of guests, not to mention top-level media. The first lady and her decorators, however, have always proven up to the task, and this year was no different.
Based on the theme A Timeless Tradition which aimed, according to the White House s official website to inspire visitors to celebrate long-held traditions while also creating new memories this year s holiday d cor features 12 spectacular rooms of Christmas spirit, dreamed up by First Lady Michelle Obama in conjunction with Boston- and New York-based event design company Rafanelli Events (nice job, guys!). Read on for tips on how to curate a stunning holiday display.
Photo: The Washington Post
Involve the Community
For a venue like the White House a public institution as much as it is a private home it s only appropriate that the d cor include members of the community. The White House achieved that this year by hanging 8000 paper snowflakes hand-cut by Washington DC students from the ceiling of the East Colonnade. Best of all? The kids wrote their education aspirations on each one.
Photo: Michael Blanchard
Personalize the Decor
Avoid making your event look like an upscale department store by personalizing elements of your d cor. For example? This year, the White House features larger-than-life dioramas of the Obama family s two dogs, Bo and Sunny, spun from thousands of feet of knitted yarn. Who would ve thunk family pets could be so impressive?
Photo: Michael Blanchard
Incorporate seasonal elements
We know, this one sounds kind of duh, but when you re decking the halls with spools of electric lights and plastic holly (which, by the way, you should never use), it can be easy to forget. Natural seasonal elements are a great way to create bold-colored accents without going over the top. This year, the Red Room, according to boston.com, features apple wreaths, red cardinals, crisp golden oak leaves, and a garland. Of course, let s not forget the other obvious pics for natural highlights: pine wreaths and poinsettias.
Photo: Sacbee
Make It Delicious
What s better than Christmas d cor that represents the aspirations of schoolchildren or the beauty of nature? Stuff you can eat. As the Starbucks cup debate has shown us, there s a diversity of opinions about what the holiday season does or should represent, but there s one thing nobody can deny: That it is, in large part, about stuffing your face. The White House got this one right by showcasing what is essentially the most magnificent cookie any of us has ever seen a gingerbread White House. Now if you can t manage something quite this impressive, try something a bit simpler; reindeer-shaped cookies may be a bit more your speed.
Featured image: Whitehouse.gov
The Incredible Impossibility of the Super Bowl Halftime Show
EVENT DESIGN, EVENT INDUSTRY, EVENT PRODUCTION INSPIRATION, EVENT PRODUCTION TECHNOLOGY
As you re making your last minute game-day dip selections and 60-inch TV purchases, there s a group of brave people who have been prepping for this Super Bowl Sunday since last year.
Spoiler alert: It s not any member of the Falcons or the Patriots.
No, for these ambitious folks, the game really begins when the players leave the field. It s halftime.
It s showtime.
A Logistical Nightmare
The team that puts on the Super Bowl halftime show truly accomplishes something incredible. While normal stage setup for a stadium-size concert usually takes a day or more, the Super Bowl halftime stage is assembled in just minutes six minutes to be exact.
According to Charles Coplin, VP of Special Events for the NFL, last year s Super Bowl XXXVIII (with the halftime show featuring Coldplay, Beyonce and Bruno Mars), they had six minutes to bring the stage on and set it up, and six minutes to break it all down. Oh and not to mention, leave the field in pristine condition for the second half of the world s most prestigious football game.
You see, not only do these incredibly elaborate stage setups have to happen quicker than the time it takes to boil six cups of water, they also have to do so without the help of heavy machinery or motor vehicles. Cranes and trucks could tear up the field or bump a goal post. There is way too much at stake to cause a delay of game due to a rogue rig.
Yeah there really isn t any room for mistakes. Like zero room. Because when they say that the Super Bowl halftime show is a huge stage, they mean that both literally and figuratively. What happens on that stage will be seen. By millions. Live. (Or maybe with a slight delay to prevent any future wardrobe malfunctions. )
In fact, there have been many years when the halftime show actually gets more viewership than the football game itself. This was true for last year s show. Super Bowl 50, which saw the Denver Broncos beat the Carolina Panthers 24-10, had an average viewership of 111.9 million TV viewers. And when was its largest viewership of the night recorded? That s right. During halftime. 115.5 million TV viewers. And even that s rounding down.
This count from Nielson doesn t include out-of-home viewers who went to catch the game at a bar or at their friend s house. It also doesn t include online streaming viewers, or the nearly 70,000 fans that filled Levi Stadium.
OK, so the stage has to be setup in six minutes, using predominantly volunteers and virtually no heavy machinery. There can be no damage done to any area of the field. The performance needs to be executed flawlessly coordinating A-list performers, dancers, lights, sound, props and pyrotechnics because millions of people will be watching live. And then in another six minutes the stage has to be taken down and everyone tucked back in their seats before halftime ends, with zero damage to the field.
Oh yeah, and you also have to put on a halftime show that kicks ass.
Pushing a 12-minute Show to the Limit
What truly makes halftime amazing is that even with all of these restrictions, it still has to be an unforgettable show. It still has to astound the audience. It still has to keep us talking about it, comparing it to other halftime shows year after year.
Each Super Bowl halftime show tries to push the envelope a little further. Increase the WOW factor just a little more. Let s look at some examples, shall we?
1993 Super Bowl XXVII This is the show that really kicked off the modern halftime extravaganza. In the beginning, Michael Jackson impersonators seemingly morphed from within the digital scoreboards, appearing on top of them to dance high above the stadium. Then, Michael Jackson himself shot up from the stage floor and stared down the audience for a full 90 seconds without moving. A full 90 seconds.
A halftime spectacular featuring Michael Jackson wows a SB XXVII crowd of better than 98,000 at the Rose Bowl in Pasadena on 1/31/1993. Al Messerschmidt/Getty Images Photos (Photo by Al Messerschmidt/Getty Images)
1995 Super Bowl XXIX Produced by Disney, this performance featured a live-action Indiana Jones skit, complete with 13 professional stuntmen, skydivers, Patti LaBelle, and one guy who got lit on fire (intentionally). While this halftime show received a lot of ridicule, it was the only one to feature stuntmen and live fight scenes no matter how hokey.
1996 Super Bowl XXX The headliner, Diana Ross, had 12 wardrobe changes, and left the stage in a helicopter.
2007 Super Bowl XLI This show featured a remarkable performance by Prince while it actually rained. The pouring rain wasn t planned, but the show definitely did go on. And it was fucking awesome.
2012 Super Bowl XLVI This year had an impressive stage completely outfitted with projection mapping. DWP Live, the projection mapping crew, spent nearly 3 weeks getting things ready in Indianapolis. The stage looked spectacular moving and transforming beneath Madonna and her dancers.
Photo By: Brad Duns via MomentFactory.com
Photo By: Brad Duns via MomentFactory.com
2015 Super Bowl XLIX Katy Perry rode in on a GIANT animatronic tiger (that looked like a lion), and then left by flying around the stadium on a star.
This year, we are eagerly awaiting the over-the-top antics of Lady Gaga. Rumor has it she will be performing alone, maybe with a small cameo by Tony Bennett, but we d love to see some surprise guests. There s also some high flying rumors that she will perform on top of the stadium, or suspended down from the roof in someway a rumor she has neither confirmed nor denied. She did, however, say that her stage would be athletic, so that sounds fun.
The 2017 halftime show has been designed by Bruce Rogers from Tribe Inc., who has been designing the Super Bowl halftime show for more than a decade. LeRoy Bennett has also joined him this year as a co-production designer. We expect the results from this dynamic duo to be nothing short of legendary.
Will you be tuning in to this year s 2017 Super Bowl LI halftime show? We ll be there, and we ll be live tweeting at @decibelevent so follow us and talk to us to let us know what you think. Bring on the guacamole.
Design Thinking for Event Producers: Takeaways from the Adobe XD Design Week 2016 Branding
EVENT COLLATERAL, EVENT DESIGN
If anyone was gonna knock their event branding out of the park, it was gonna be the people who invented Photoshop. But the Adobe XD Design Week branding is a special case of above and beyond.
What is XD Design Week?
The Adobe XD Group is a global design organization responsible for the user experience of most of Adobe s products. Once a year or so, we gather all of our designers, researchers, engineers, and other team members together in San Francisco for a week-long event where we share our work, build our relationships, and plan for the next year.
Crafted by rock star designers Anny Chen and Shawn Cheris, the branding for this event isn t just an example of pretty colors well-worked. This is design thinking at its finest: a rock-solid core concept in the case, the event theme supported by visuals that are both appropriate to that theme and lovely to look upon. Yeah, yeah, Adobe s got one up on the rest of us, in the sense that they have access to some of the best visual artists in the world. But it isn t just artistic skill that carried this branding forward: it was the strategic creative process that underpins the art. So how do we get a little closer to achieving similarly beautiful results in our own events? Well, we learn to think like a designer.
Isolate the Core Concept
Bad design says, Ooh, these color are pretty. Good design says, What are we trying to communicate? If your event isn t centered around a core concept, you re hamstrung right out of the gate. The theme for this year s XD Design Week was convergence , and that was the anchoring idea from which the rest of the festival flowed.
Decide on Means of Visual Expression
Time to dig deeper. We ve got a concept. Now, how are we going to choose to express it?
We explored the ways in which the idea of convergence could be expressed visually forms literally converging on the page, shapes being overlaid on top of one another, and juxtaposition of subject matter (e.g. human versus machine). As we delved deeper, we became more interested in the notion of the Venn diagram, and exploring what happens in the areas where two objects intersect and create a new third space.
Exploring the concept of convergence
Build a Visual System
Festival collateral is extremely diverse, and the imagery you settle on will have to extend across multiple mediums. Your system should be cohesive, meaning that all the parts look like they go together. It should be scalable, meaning that a conference badge and a t-shirt and a stage backdrop and a website can be designed under the guidelines of the system without breaking the system. It should be a little flexible, because life throws curveballs sometimes. How d Adobe do it?
We chose the circle as the consistent, anchoring element with which other shapes would converge on the page. The circle can embody multiple metaphors a lens, a different world, or a unifed whole. We also explored typographic treatments that would integrate well with the visual system. We chose Futura PT (Heavy 700) for its clean, geometric lines, and played with slicing the type along the axis of when two shapes intersected. The color palette and use of gradients were a direct nod to the Adobe XD brand.
Oh, right, and it should be on brand, if at all possible.
Apply holistically
Creating a single piece of collateral at a time, printing it, putting it into use, and then creating the next piece leaves the door open for a scattered and incoherent brand. Unfortunately, due to time constraints and logistics, that s usually what happens. Yes, deadlines are looming. Yes, you need the invitations first, and then posters later, and the speaker schedule booklets last of all. But best case scenario, your event design gets done all at once. At the very least, if you can t have everything designed at the same time, it s important to sketch out a design outline of each piece as a general roadmap so you don t go off course.
Wanna see more stuff from Adobe XD Design Week? Check out the project on Behance.
2018 Event Predictions
EVENT DESIGN, EVENT INDUSTRY
We re all looking to gain insight into 2018 forecasts, trends, and predictions for event management upgrades. As in years past, challenges abound when creating engaging events that excite and delight attendees, in a format (whatever that may be) that is seamless and fail proof.
Decibel Management has the rock-solid reputation of past successes, as well as some key lessons learned from past mistakes. We keep our eyes trained on new event trends to ensure that our clients and customers events remain buzz-worthy fodder for water cooler discussions.
We make a point to employ the different when it comes to networking, activities, and formats all meant to engage and delight, as well as tech advancements like AR and AI to enhance the human elements of your events. Event MB recently released a report on 2018 trends to look out for, which we ve catalogued here into Event Tech, Event Design, Social Media and Event Experiences.
Event Tech
Eventually, if not 2018, facial recognition software will add value to future events is through the power to read individual or group emotions, understanding how your customers feel by detecting and measuring facial expressions. It has the power to quickly capture demographics, record the attention span of an audience and help to understand what motivates and grabs their attention. Goodbye post-event surveys!
AR and AI will gain traction. Augmented reality and artificial intelligence were highlighted as two key technologies to keep an eye on. Experience new, computer-generated environments through virtual reality, augmented reality and mixed reality tools, which prove how VR can amplify engagement. Amplifying engagement is the theme of next year.
Design and Decor
More meetings and events are predicted to be taking place outdoors in 2018. This certainly changes design and decor trends, as we re seeing outdoor table settings, unique structures, elegant lighting that fits with an outdoor venue space. 2018 is also predicted to outgrow #PointlessPlastics. Consumers want sustainability, so event managers are doing away with plastic straws and other unnecessary one-time use plastics. Go green.
And go gold. Gold is shining to the top for event design and decor for 2018. Of course, seasonality will affect color palettes that are being used, but the prediction is that gold will come out on top, as a supporting color or as a staple.
Event Experiences
It s no secret that events took a focus on providing guests with experiences this past year. We no longer just want to sit in a conference room or a dining area; we want something to remember. As event managers, this adds a whole new aspect of creating thoughtful activations and experiential marketing. We know how small the human attention span is, and we re continuing to combat it with event experiences in 2018.
Social Media
Providing an experience to your event-goers is important, but you can t forget about your audience in the digital space. Treat your audience with some behind-the-scenes looks into the event and making your digital audience feel like they are part of something. Live tweeting, livestreaming, 360-degree images and videos 2018 is coming for you.
As event managers, we re naturally versatile, scrappy, and always looking ahead for the next possible opportunity. It s one of the many reasons our motto is, Yeah, we can handle that. Bring it on, 2018.
Lessons for PR Agencies on taking live events viral
BACKSTAGE, EVENT DESIGN, EVENT INDUSTRY, EVENT PRODUCTION INSPIRATION, LIVE EVENTS, NEWS, TIPS & TRICKS
We love seeing great art installations, and wanted to take the time to recommend the In America: Remember flags exhibit on the National Mall. Developed by Suzanne Firstenberg, this exhibit honors the 650,000 Americans that have died from COVID-19.
Some great lessons can be learned from the concept and execution of this exhibit, and wanted to share some great key learnings for our Agency and Corporate clients as they concept and plan their own mobile media tours, exhibits, and touring events.
Start small, and evaluate:
Suzanne Firstenberg started with an installation at RFK stadium and 200,000 flags. The idea took off and the new exhibit on the National Mall is 640,000+ and covers acres. While this is a tragic reason to expand the art installation, it is a great lesson in starting with a smaller proof of concept, and then expanding in the future.
Simplicity and Scale:
This exhibit is not terribly expensive to execute. It is developed with simple white survey flags. More than 600,000 of them over acres on the National Mall. The simplicity and scale of this art installation gives it the gravitas to make it a show stopper. And this scale makes for a great photo. This is evident from images from the ground level of viewers, the aerial shots from the lifts, or the drone shots in the air.
Social Shareability
Most agency clients are looking for their events to be shared socially. This is a Master Class on how to make your message explode on social media. WIth the simplicity and scale mentioned above, this prints very well on camera. It is also a VERY simple message that helps the public visualize the scale of 640,000 deaths. Humans are very bad at estimating the scale of large numbers and this message is crystal clear and demonstrates it perfectly.
Press Attention:
Agency clients are always looking for the magic bullet for the press to take interest in their PR Stunt, media tour, or live event. The press has certainly amplified this exhibit. All the reasons mentioned above make for fantastic art. This really helps with the visual medium for outlets. It also makes a tough concept very easy to understand. But most importantly, there is no corporate agenda here. They are not selling anything and it is not commercial. This is the main challenge for corporate mobile media tours, events and exhibits that have an agenda. Where we come in at Decibel is how to craft these events to thread the needle for clients into a meaningful and impactful exhibit without too heavy handed corporate messaging.
All in all, this exhibit is a great opportunity to learn these techniques and apply them to your own Agency events, PR Stunts and marketing tours. And on a personal level, it s worth a visit on its own as well.
2021 Emmy Awards Reviewed- Hits and Misses
BACKSTAGE, COMPANY NEWS, EVENT DESIGN, EVENT INDUSTRY, LIVE EVENTS, NEWS, TIPS & TRICKS, UNCATEGORIZED
Did you catch the 2021 Emmy awards ceremony this Sunday? We have fairly strong opinions here at Decibel about the production, and curious your own thoughts about the broadcast. Tl;dr tight shot was rubbish but we are encouraged to see live events happen safely.
The Emmy s saw attendees back in person (and in a fancy tent) this year. If you have ever designed and built out a production in a tent, you know what goes into the process. It is not easy, and a LOT goes into how these types of productions are designed. As you can see below, the event was built outside of the Staples Center. We have some great behind the scenes productions shots so you can see *behind* the facade into what it looks like backstage.
So what worked? I loved what I will call the attendee experience. The in-room experience looked great and I believe that the event guests had a great view and experience in the space. The long runs of LED down the length of the tent were solid as were all the graphics that made it to screen. I also loved the second stage backdrop and look. I am also thrilled to see the event pass COVID-19 protocols to get this many people in one place, all vaxxed and tested for the event. This should be a good model for other large scale events.
What fell short? The tight shot was absolute trash. I am actually really surprised this was able to make a national broadcast. It may have worked for those in the room, but any good producer learns early that you produce for your primary audience. This would be the television viewers and what did we get? A large solid color cyc that was wrinkled in the corners and a giant Emmy statue. In the tight shot, we only really got to see the mid section of the statue and the presenter. I would LOVE to know how in the world that made it through approvals.
In addition, there seemed to be a bit more gack in the different shots. In some instances, this was in the form of staff walking through the live shot, or just undressed hardware. I was also surprised about the audio quality for the broadcast.
All in all, I was glad to see a live event again and looking forward to the opportunity for more clients to take the leap safely and get back to these in-person events.
Setting the Stage for NBC s Tokyo Olympics
EVENT DESIGN, EVENT INDUSTRY, EVENT PRODUCTION INSPIRATION, EVENT PRODUCTION TECHNOLOGY, PRODUCTION
While much can be said about the technology and logistics behind NBC s coverage of the delayed 2020 Olympics, more could be said about the incredible work performed by the set designers, those geniuses at HD Studio, Planar, and Blackwalnut. The people behind the sets of Fox Sports, The Late Show with Stephen Colbert, and the last few Olympics came back again to produce a set full of natural beauty.
Source: Twitter/planarsystems
The day the designers of the NBC set finished their work and were about to send it to fabricators was the same day they were told the Olympics were to be delayed. Not just delayed, but changed in such a way that most of their ideas would no longer work. Sets had to accommodate for a pandemic, and strict safety guidelines, while being adaptable enough to handle any major change occurring during the three weeks of live broadcasting.
While other media groups kept their sets at home during the pandemic, NBC found space to create a number of inviting sets to use throughout the three weeks. While the International Broadcast Center (IBC) was home to two studios designed for Peacock and Twitter streaming, the set that had everyone excited was the beautiful outdoor creation for host Mike Tirico.
This deck set was, in fact, the roof of the Hilton Tokyo Odaiba hotel. Aesthetically the set took advantage of the incredible Tokyo skyline, which included its own Olympic rings, and reflected an unrestrained celebration of sport. In a time of claustrophobic lockdowns and empty stadiums, it presented us with life.
Source: Twitter/sportsvideo
On a more logistical side, the open-air and large sets also provided far fewer restrictions when ensuring safety guidelines were followed to protect all staff during this concerning pandemic. At the time, guidelines still required athletes to remain two meters away from presenters, and presenters a meter apart. With good lighting design and blocking, however, this rarely appeared to be the case for those watching at home.
In this lies the true genius of NBC s set design; an aesthetically pleasing set hiding great practical considerations.
The three sets took inspiration from the country s own presentation at the closing of the previous Olympics, employing light-colored woods and lattice patterning that allude to the world-renowned architecture of Japan. While real wood could not be used, the traditional colors and texture of native trees were chosen those of the Yew and Cyprus specifically.
The lattice also had a secondary effect. According to Newscaststudio, it appealed to the designers at HD Design because if the camera moves, the layers cause movement from a geometric standpoint.
To ensure proper social distancing without an effect of alienation, seating and tables were designed to be open and light, while cameras would play with perspectives to help commentators appear closer.
A fourth set seen for only a few events happened during the one event you should always expect with a live setting a storm. In the cleverly adapted ballroom of the Hilton was laid a dark indigo rug with the logo of the Olympics. Using the same wood-colored paneling, and little else, the design team created a set that was both quick to assemble and appeared to match the originally designed studios elsewhere.
Source: Twitter/planarsystems
The sets for NBC s Olympics coverage may have been minimalist in design, but they were carefully chosen. Background lighting and screens were often found to include hues of aizome, a distinctly Japanese shade of indigo. Internal sets had a curved backdrop to offer a sense of closeness, while the rare set-piece would be a native plant, reminding us of the natural element to the sporting competitions.
A relatively new addition to these sets wasn t ever in the studio, though. Instead, producers took advantage of augmented reality graphics, powered by Ross Video s Voyager. Using Unreal Engine and Stype, they were able to produce live, virtual screens that appeared to float comfortably beside presenters. A far cry from the green screens of old, the simple design of the set was all the backing they required.
An empty stage or black box can sometimes be an effective platform, but often it appears instead to be evidence of a lack a lack of care, a lack of budget, or a lack of creativity. Professionally designed stages that reflect the themes and values of your event do not have to be flashy, or expensive. Nor do they have to be inhibitive to presenters, audiences, or budgets. Decibel Events can help you design stages that are both functional and aesthetic, to be praised by presenter and audience member alike.
Holy Fuck, Apple. You Spent HOW MUCH?!
EVENT DESIGN, EVENT INDUSTRY, EVENT PRODUCTION INSPIRATION, EVERYTHING ELSE, LIVE EVENTS, LOL, PRODUCTION
10 Major Events That Cost Less Than WWDC
Apple spent a whopping $50 million on its annual Worldwide Developers Conference. $50 MILLION.
This staggering figure was recently unveiled by Phil Schiller, former head of Apple s worldwide marketing, during his testimony at the ongoing trial of Epic Games vs. Apple, and it shook us to our core.
Yes, we know Apple is a billion-dollar company, and yes, we know they use their week-long conference to announce their shiny new gadgets (of which we re big fans), but it s still just. a. business. meeting. The set-up is super basic: a stage, some cameras, some speakers, and occasionally a musical guest (Weezer, Panic! at the Disco, Fall Out Boy and Good Charlotte), but nothing so spectacular or extraordinary or life changing that the event could run up that kind of bill.
To put this in perspective, we rounded up some other extravagant events that didn t cost nearly as much as Apple s week-long business meeting.
10. Naomi Campbell s 36th Birthday Party $1.8 Million
Supermodel Naomi Campbell rented out 18 floors of Burj Al Arab, the world s first seven-star hotel, to host her elaborate three-day birthday bash in Dubai. Each day featured a series of celebratory themed events for the OG Super Model and her high-profile guests, including David and Victoria Beckham, and Linda Evangelista. No assistants or phones were harmed at the big birthday bash.
9. Trump s 4th of July Event $5.4 Million
In 2019, during Donald Trump s presidency he hosted an over-the-top 4th of July event featuring tanks, fireworks, and a military flyover at the Lincoln Memorial. He called the event remarkable; we call it a misuse of public funds.
8. Macy s Thanksgiving Day Parade $12.3 Million
This 2.5 mile parade with enormous balloons, unbelievable floats, and talented performers, dazzles crowds during the holidays each year. According to The Smart Shopper s 2016 report, the average total cost to host the parade is between $10.4-$12.3 million. Event logistics can cost up to $3.4 million.
7. Producing Hamilton on Broadway $12.5 Million
Everyone wants to be in the room where it happened. Mounting the show on Broadway took $12.5 million, or one-million-two-hundred-fifty-thousand ten-dollar bills featuring our founding father. There is nothing scrappy about the Tony Award-winning musical, which has grossed more than $1 billion in global revenue to date.
6. Jennifer Lopez & Shakira s Super Bowl Halftime Show $13 million
JLo and Shakira killed the Super Bowl halftime show in 2020. The 14-minute show included more than 130 dancers, 600 field team members, 5,350 pieces of pyrotechnics and some spectacular lasers. The televised performance won an Emmy Award, and resulted in millions of viewers feeling bummed out about their physical fitness and skin care regimen.
5. Opening of the Atlantis Hotel in Dubai $31 Million
With a goal to make this resort opening one of the biggest events of the year, event designer and producer Colin Cowie and Empire Entertainment turned up the flash to throw a lavish three-day extravaganza. Powerful video projections, pyrotechnics and fireworks told the story of the Atlantis across the outer facade, ending in the largest-ever fireworks display on record more than seven times larger than those used at the Beijing Olympic games.
4. 2021 Oscars $40 Million
The Academy Awards wanted to go big and go live this year. All attendees were required to take three COVID tests prior to attending, but considering they received a gift bag containing approximately $225,000 worth of goodies, it feels like a fair trade to us. Plus, ya know, human interaction.
3. Opening Ceremonies for the 2012 London Olympics $42 Million
This spectacle was called Isles of Wonder. Directed by Academy Award-winning British film director Danny Boyle, the London Olympic opening ceremonies pulled out all the stops. With a television audience of 900 million, it became the most-viewed Olympic opening ceremony.
2. Burning Man Music Festival $44 Million
In 2018, Burning Man reported it took $44 million to produce the music festival focused on community, art, self-expression and self-reliance. The event creates a temporary city in a Nevada desert and features a 40-foot-tall burning effigy among hundreds of other elaborate art structures. Fun fact: they spend $1.4 million for sanitation services alone (aka: port-a-potties).
1. Prince Harry & Meghan Markle s Royal Wedding $45 Million
We watched, we wept, we drank tea at 5am. A royal wedding is more affordable than a work conference. <<
Apple: give us a call. We can produce a fantastic WWDC for you with a lower price tag and so much more than a stage with a screen and some lights.
dB Talent Spotlight
EVENT DESIGN, EVENT INDUSTRY, EVENT PRODUCTION INSPIRATION, EVENT RESOURCES, LIVE EVENTS, TIPS & TRICKS, VIRTUAL EVENTS
Welcome to Decibel Events Talent Spotlight series where we highlight great keynote speakers, presenters, performers and other talent to enhance your in-person or virtual event.
Bookmark this page and be sure to check back each month as we grow this list. It will be a great resource to you the next time you re planning an event.
Dr. Chelsea Jackson Roberts
Dr. Chelsea Jackson Roberts is highly regarded as a leader in a new generation of yogis who are passionate about expanding the visibility of who is commonly seen as Teacher. She is an internationally celebrated scholar and Peloton yoga teacher.
She has graced the cover of Yoga Journal twice, toured the world as a global yoga ambassador for lululemon, and advocated for local communities as founder of Red Clay Yoga. She is also widely recognized for her work with yoga and teens, and founded Yoga, Literature, and Art Camp at Spelman College Museum of Fine Art.
She would be a wonderful addition to your next event, and we encourage you to contact her through her website chelsealovesyoga.com.
Michael Brenner
Michael Brenner is a globally-recognized keynote speaker on leadership, culture, and marketing. Author of the bestselling book The Content Formula, Michael s work has been featured by The Economist, The Guardian, and Entrepreneur Magazine. In 2017, Michael was named a Top Business Speaker by The Huffington Post and a Top CMO Influencer by Forbes.
Over the last two decades, Michael has championed a customer-centric approach at organizations large and small. He led sales and marketing for software companies like Nielsen and FullTilt. As an executive at ICR, SAP, and Newscred, Michael s innovative leadership resulted in massive growth. His workshops and keynotes for Fortune 500 brands and tiny startups have inspired profound personal and professional change.
Today, Michael is the CEO of Marketing Insider Group, founded on the belief that strong leaders who champion their teams are the key to unlocking massive growth.
When he s not working with clients, Michael travels the world helping even the most bureaucratic organizations break down silos, create cultures of innovation, and build engaged workforces.
Charlene Li
Need another great keynote speaker for your next virtual or in real life event? Meet Charlene Li.
Charlene Li is an influential thought leader and guide on digital transformation, with a specific focus on customer experience, leadership in the digital era, and the future of work.
For the past two decades, Charlene Li has been helping people see the future. She is an expert on digital transformation, leadership, customer experience and the future of work. Li is the author of six books, including the New York Times bestseller, Open Leadership and co-author of the critically acclaimed book, Groundswell. Her latest book is the bestseller The Disruption Mindset.
She is the Founder and Senior Fellow at Altimeter, an analyst firm acquired in 2015 by Prophet. Named one of the most creative people in business by Fast Company, Charlene is a graduate of Harvard College and Harvard Business School.
Fee: $25K $40K
Washington Speakers Bureau, direct and other booking sites.
Eric Stuart
This one s for the event peeps among us. Looking for a great speaker? Meet Eric Stuart.
An ex-British RAF officer and Supervisor in the Metropolitan Police for 17 of his 33 years with firearms, helicopter and covert deployments, he is an excellent motivator and lecturer focused on crowd modeling and safety. We know because we ve attended a two-day course with him and it felt like 5 minutes. He s incredibly interesting, and brings a wealth of experience and stories that will make you see your role as an event professional in a whole new light.
Eric is the owner of Gentian Events Limited, established in 2009 to enhance public safety at events of all shapes and sizes, working at and advising those who deliver them.
Contact him directly at GentianEvents.com
Jennifer Golbeck
Looking for a great keynote speaker? Meet Dr. Jennifer Golbeck.
As a world leader in social media research and communication, Dr. Jennifer Golbeck shares with audiences ways to best leverage and the vast array of social data both in their personal and professional lives.
Dr. Jennifer Golbeck began studying social media from the moment it emerged on the web a decade ago and is one of the world s foremost experts in the field. Her research has influenced industry, government, and the military. She is a pioneer in the field of social data analytics, discovering people s hidden attributes from their online behavior, and a leader in creating human-friendly security and privacy systems.
In addition to her work as a professor at the University of Maryland, she writes for top online news organizations, including Slate and The Atlantic, and appears frequently on NPR and commercial talk radio.
Fee: Under $25,000
https://www.wsb.com/videos/1302
Greg McKeown
As events transition online, more than ever, the challenge to create something that captures and keeps attention is paramount. One of the best way to hold an audience s attention is to have an engaging presenter who can deliver thought-provoking content in a riveting way. So if you re looking for someone who can do that, online, or in person, meet Greg McKeown.
Greg McKeown is a business writer, consultant and researcher specializing in leadership and the tools for success with a focus on living and leading as an essentialist.
Greg McKeown is emerging as one of the most refreshing and transformative business thought leaders and speakers on leadership, productivity and business growth. He is the founder and CEO of THIS Inc. a leadership and strategy design agency in Silicon Valley a New York Times and Wall Street Journal best-selling author, and one of the most popular writers for Harvard Business Review and LinkedIn s Influencer Group.
McKeown has taught at hundreds of events across the world including in the U.S., Australia, Bulgaria, Canada, China, England, India, Ireland, Italy, Japan, Netherlands, Norway, Singapore and South Africa. Organizations, teams, and individuals have benefited from McKeown s innovative perspective, which challenges conventional wisdom and defines how to break through to the next level of success and profitability.
Fee: $25K $40K
The Halftime: And Other Badass Stuff from Super Bowl LV
BACKSTAGE, EVENT DESIGN, EVENT INDUSTRY, EVENT PRODUCTION INSPIRATION, LIVE EVENTS
Super Bowl LV was a monumental event for one reason and one reason only: it happened.
Sure, Tom Brady s indefatigable right arm was MVP, but to pull off the country s most watched event without compromising production quality mid global pandemic was truly an epic feat.
The game meh. While the game itself wasn t super memorable, here are some moments we won t soon forget:
The Triple Bomber Flyover
The Air Force executed the first ever Super Bowl flyover featuring all three of its bombers, including America s oldest bomber, the B-52H, which has been in service longer than the Big Game has been played.
Extreme precision was required to execute the tight flyover over Raymond James Stadium, timed perfectly to coincide with the final note of the Star-Spangled Banner. It was one of those blink-and-you ll-miss-it moments, and utterly flawless.
Fun fact: the three bombers aircraft designations add up to 55 (B-1, B-2 & B-52), which is why, despite the pandemic complications, the tribute had to happen this year.
The Super Bowl Streaker Who Made Bank
With five minutes left on the game clock, a 31-year-old man dressed in a hot pink, atomic-wedgie-style one-piece bared his ass, ran like the wind, and netted $374,000. WHAT? Read on.
Yuri Andrade had a plan. He had a friend place a $50,000 bet that there would be a streaker at the Super Bowl, and then convinced another buddy to fake a streak of his own, in order to allow Andrade the opportunity to slip past security.
Unburdened by the weight of clothing, and surprisingly nimble, Yuri Andrade juked one security guard out of his shoes before finishing his 100-yard dash with a triple tackle in the end zone.
Though live footage quickly cut to commercial, Andrade s streak was immortalized on the interwebs and Twitter, providing the proof needed to collect his cash.
And in true idiot fashion, he bragged about his plan, resulting in serious questions whether he will actually get paid the big bucks for his cheeky stunt, or fade away into obscurity as a naked dude with a big mouth and 15-minutes of fame.
The Un-Centered Stage
It took place in the center of the game, but not in the center of the stadium. This year s Super Bowl halftime show was the first to NOT be held completely at center field with an impressive 6-minute setup time.
Due to COVID safety measures, 15-year Super Bowl halftime veteran planner Bruce Rogers and his team at Tribe, Inc., were only allowed to use one tunnel onto the field. So, they decided to build the stage in the stands and make it 3x bigger.
The elaborate stage they designed over the north end-zone concourse still had to have two modes: Game Time and Half Time. Even though only 20{04d9822e7d95da125d508d8e1efbcf2edc79acd8aec1f0bbdcbd6a6f684f9bb3} of the stadium seats were filled with real people (yes, we have to specify that, as a majority of the seats housed cardboard cutouts of fans), those real people still had to use the 3 existing fire aisles for bathroom breaks and concession runs.
During Game Time, the set was covered with game graphics by Blue Media, had open aisles for guests, had clear sightlines to the field, and embedded an important CBS sideline camera.
In Half Time mode, the aisles were filled with decks, locking in several upstage decks and light carts. Lights and audio were positioned, and rail cams, tower cams and three cable cams came forward for the critical story-telling shots.
The Weeknd s Year Long Story
Storytelling is very important to The Weeknd, and in the year since he released his most recent album, After Hours, he s been showing up to major events bruised, bloodied and bandaged in more and more extreme versions of what he refers to as The Character.
He explained his year-long antics:
The significance of the entire head bandage is reflecting on the absurd culture of Hollywood celebrity and people manipulating themselves for superficial reasons to please and be validated, The Weeknd said. It s all a progression, and we watch The Character s storyline hit heightened levels of danger and absurdity as his tale goes on.
The bandaged face theme did fit flawlessly into the coronavirus safety measures for the many, MANY backup dancers each of them completely masked as they took up the entire football field for the final number.
Our goal was to find a way to present an exciting show and to not necessarily bow down to the COVID monster, said Bruce Rogers.
All things considered, they nailed it.